This
morning we woke to a very cold and wet day, so we decided
we'd
drive to Bilbao (100k's) and visit The Guggenheim.
The
Guggenheim, Bilbao is a museum of modern and contemporary art,
designed by Canadian-American architect Frank Gehry.
Built
alongside the Nervion River, it features permanent and
visiting
exhibits of works by Spanish and international artists.
The
building itself is AMAZING. It was difficult to take photos from
under the umbrella so today I have found some from the internet...
The
interior is also very impressive...
After
wandering around for a few hours Andrew announced
that he was becoming an artist when he returns home...
he thinks he can make a fortune!
that he was becoming an artist when he returns home...
he thinks he can make a fortune!
Here
are some of the exhibits we really enjoyed...
Richard
Serra
The Matter of Time, 1994–2005
Eight sculptures
Weathering Steel
The Matter of Time, 1994–2005
Eight sculptures
Weathering Steel
This
photo shows most of the 8 pieces that make up the Matter
of Time
installation and does not give any real indication of its size...
Walking
through
The Matter of Time produces
different effects on the movement and perception of the viewer as you
walk through
and around them, creating an unforgettable,
dizzying feeling of space in motion.
and around them, creating an unforgettable,
dizzying feeling of space in motion.
Double
Torqued Ellipse,
2003–04
Weathering Steel
Outer ellipse: 4.27 x 11.41 x 12.19 m;
Weathering Steel
Outer ellipse: 4.27 x 11.41 x 12.19 m;
inner
ellipse: 4.27 x 6.2 x 9.75 m;
plate
Thickness: 5 cm
If
you look at the dimensions of this piece which is
in the foreground of the photo of the whole installation...,
you
might get an idea about how huge it is.
--------------------------------
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Andy
Warhol
One
Hundred and Fifty Multicolored Marilyns,
1979
Acrylic
and silkscreen ink on canvas...a HUGE 201 x 1,055 x 6 cm
-------------------------------------
Andrew couldn't quite believe what he was hearing
on the audioguide with this one!
Yves
Klein
Large
Blue Anthropometry [ANT 105]
[La
grande Anthropométrie bleue (ANT 105)],
ca. 1960
Dry
pigment and synthetic resin on paper mounted on canvas
287.8
x 430 x 4 cm
Anxious
to break with all forms of expressionism, Klein had,
practically
from the outset of his career, "rejected the brush,"
in favour of rollers, which
were more "anonymous".
He expanded on this idea: he used nude models as "living brushes"
that
created marks and impressions under his supervision.
The
Anthropometries, as they would be branded
allowed him to revive the nude
allowed him to revive the nude
without
resorting to traditional means of representation.
Klein
presented a demonstration of the technique in Paris
on
March 9, 1960, attended by approximately one hundred guests.
As
musicians played Klein's Monotone Silence Symphony,
the
tuxedo-clad artist directed the actions of three nude models,
who
spread paint on their torsos and thighs and
pressed
or dragged their bodies on sheets of white paper.
---------------------------------------------
It
is possible to walk all the way around the Museum,
admiring a number of artworks installed outside
by
artists such as Louise Bourgeois, Eduardo Chillida,
Yves
Klein, Jeff Koons and Fujiko Nakaya.
Jeff
Koons
Tulips,
1995–2004
High
chromium stainless steel with transparent colour coating
203
x 460 x 520 cm
Koons
employed sophisticated computer modelling
to
create a work that references the 18th-century formal European
garden.
A
behemoth West Highland terrier carpeted in bedding plants,
Puppy
employs
the most saccharine of iconography
...flowers
and puppies...in a monument to the sentimental.
Imposing
in scale, its size both tightly contained and
seemingly
out of control
(it
is both literally and figuratively still growing).
Jeff Koons
Jeff Koons
Puppy
(1992)
stainless
steel, soIl, geotextile fabric,
internal
irrigation system,
live
flowering plants.
486
x 486 x 256 inches
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Almost
9 meters tall, Maman
is
one of the most ambitious
of
a series of sculptures by Louise Bourgeois that take as their subject
the
spider, a motif...both protector and predator...
the
silk of a spider is used both to construct cocoons and to bind
prey...
and
embody both strength and fragility.
Such
ambiguities are powerfully figured in the mammoth Maman,
which
hovers ominously on legs like Gothic arches
that
act at once as a cage and
as
a protective lair to a sac full of eggs
perilously
attached to her undercarriage.
The
spider provokes awe and fear, yet her massive height,
improbably
balanced on slender legs,
conveys
an almost poignant vulnerability.
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We enjoyed a FABULOUS lunch at a cafe Peta
had noticed on our way to The Guggenheim.
had noticed on our way to The Guggenheim.
and then explored a Spanish department store...
El
Corte Inglés before heading back to San Sebastian.
I
found and bought 2 lovely tops (thanks to Peta's guidance)
...a
very rewarding wet day activity!
Today
we've walked 12.6 k's...not bad on such a cold and wet day.











